Tuesday, 10 November 2026

Vienna's Lobmeyr exhibition - "Glitz and Glamour, 200 Years of Lobmeyr" at the MAK Museum in Vienna

We were in Vienna and I saw the poster for this incredible exhibition on glassware. I love glassware and I admit I was ignorant of a company called Lobmeyr. So, my wife and I went to see it and were truly gobsmacked by the beauty of each intricate piece exhibted there.

The most prominent recent major exhibition celebrating the renowned Viennese glass manufacturer J. & L. Lobmeyr was "Glitz and Glamour, 200 Years of Lobmeyr" at the MAK Museum in Vienna to mark the company's bicentennial.

Commemorated 200 years of the family-owned glass manufacturer (founded in 1823), featuring historic drinking sets, vases, chandeliers, historical drawings, Nives Widauer's Seven Goblets of Humanity, and works from collaborators like Josef Hoffmann, Oswald Haerdtl, and the Wiener Werkstätte.

Operating across six generations, Lobmeyr is famous for ultra-thin mouth-blown muslin glass, historic electrical crystal chandelier innovations (with Thomas Edison), and pieces housed in collections like MoMA and the V&A.

Wander down pedestrianised central Vienna, and a few establishments have resisted the inevitable wave of international brand stores. One is J. & L. Lobmeyr’s main shop at Kärntner Straße 26.The outside looks like one of those wonderful emporiums of old: a portal to a world of delights crafted in glass. Founded in 1823 and still a family-owned business, Lobmeyr manufacture and sell glassware that deserves a capital G. The kind where the borders between art, design and industry blur.









The company once counted the Imperial court among their clients. They produced the first electric crystal chandelier (in cooperation with Edison). Lobmeyr glass appeared at world exhibitions and won awards there. Glitz and Glamour takes us on a foray through two centuries of glassware design. In doing so, it seems to do honour to that journalist’s opinion, since the objects on display reflect different styles, techniques, designers and material innovations. Enjoy drinking sets, vases, chandeliers, historical design drawings, and more.From 19th-century glasses mimicking historical forms, through classic production series associated with legendary designers like Josef Hoffmann or Oswald Haerdtl (the man behind Café Prückel), to special one-off artistic designs like Nives Widauer’s Seven Goblets of Humanity and even glass porcupines.

A defining characteristic of Lobmeyr’s work is collaboration with noted artists and designers. The company worked, for example, with Hoffmann and the Wiener Werkstätte in the era of Vienna Modernism. They continue to engage in such collaborations today. All of which is fine, but it won’t prepare you for the exhibition layout, which combines the elegance of glass with inspired use of illumination and shadow. The opposing mirrors in the entrance area, for example, create a maze of glass and light that had my head spinning.

Given the many open displays and relative delicacy of some of the items, a viewing also left me wondering just how terrifying the process of setting everything up might have been. Although, as the exhibition explains, thin glass is more robust than you might think.

We came out totally awestruck by the creatiivty and sensitive delicate artistry of the human race.
























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Culloden Battlefield across wild Drummossie Moor - site of the Jacobite uprising April 1746

Those who have studied British history know all about Culloden which was the site of the Jacobite uprising in 1746. Jacobite forces supporting Bonnie Prince Charlie (Charles Edward Stuart) fought against British government troops led by the Duke of Cumberland.

A few years ago, I came across a beautiful photograph in the London Times showing the famous Leanach Cottage with bewitching colours due to the Northern lights. I kept it and then painted it later in oils on a canvas. Naturally, the next step was to see it when we were in Scotland. My family was with me and my young grandchildren were fascinated by the Scots wearing kilts not trousers~ rather than learning about the battle !!

I am not going to give a picture wise description – this is a walking tour of the site which I think is self explanatory.The Culloden site is vast. The Visitor centre is well organized: it features interactive exhibitions, artifacts from both warring sides, a 360-degree immersion film, and a rooftop viewing platform. There is the obligatory listing of the donors who helped creae and maintain this wonderful piece of history. 



We turned out to be a largish group and the guide was excellent. Our guide gave a brief background to the uprising and the fact that the Jacobite army was decisively defeated in less than an hour, marking the last pitched battle on British soil.

Marking the spot of the last major battle on British soil, the wild moor at Culloden is the resting place of 1,500 Jacobite and 50 Government soldiers who fought and died here in 1746. Today, you can walk along the battle lines and see the graves of the soldiers beside the memorial cairn in the centre of the battlefield.

Flags represent the front lines of both armies and show the vast scale of the battle, whilst in the centre clan markers indicate the graves of the fallen.

The Scottish National Trust says: “There are still many discoveries waiting to be unearthed on the battlefield. This landscape has been lived in for over 4,000 years. The Battle of Culloden only lasted for 1 hour. Searching for remains from the battle is like looking for a needle in a haystack. In addition, there has been continued agricultural use of the land since 1746. People also visited the site in Victorian times, regularly taking ‘souvenirs’ away with them.

“There are many accounts of the battle – some were written down immediately, other years later. The opposing sides have very different perspectives on what happened. To try and get an accurate picture, we use forensic evidence to recreate what happened on the day. The archaeological remains, along with historical records, give a snapshot of the battle.

“What we have found in recent years has changed some of what we thought we knew. When the present visitor centre was constructed in 2007, care was taken to choose an area of the battlefield where there was little chance of disturbing archaeological remains. Testing was done. The location was believed to line up with the second Government line, where the embankment stands today. However, excavations undertaken in 2021 revealed substantial evidence to suggest the second Government line was in fact almost 200m behind the berm, on the other side of the road to the car park.”.


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Leanach Cottage is more than it seems. During the battle, a similar cottage stood on this spot and served as a field hospital for Government soldiers. Over time, the cottage has seen many changes. After falling into disrepair, Leanach Cottage was rebuilt in the early 19th century. The cottage became a symbol for the battlefield, and the people who lived there became the site’s first tour guides. The cottage’s last resident, Mrs Annabelle Cameron (née Belle Macdonald) moved out in 1912 and the cottage stood empty.

In 1944, Leanach Cottage was given to the National Trust for Scotland by Hector Forbes, the landowner. In the early 1960s, the cottage became the first ‘museum’ at Culloden Battlefield. In 1970, a new visitor centre opened beside Leanach Cottage, later became a ‘Living History experience’ with costumed interpretation and presentations.

The only other home on the battlefield was a cottage built in 1925 – the daffodils that were in its garden still bloom each spring. At other points, there was a tearoom and even a petrol station. These buildings are no longer there.

Today, Leanach Cottage houses temporary exhibitions relating to the battlefield. These exhibitions cover current research including new archaeological discoveries, people’s connection to the battlefield and the threats to the battlefield in modern times.

Thatching on the cottage is made from heather that was collected from the battlefield and then crafted together by local tradesmen, whilst the walls are a mixture of stone and turf.

    Since 1746, people from all around the world have visited the battlefield. The story of the Jacobite Risings has influenced works of art and literature across many generations, from ‘The Skye Boat Song’ to Outlander. Less than a year after the Battle of Culloden, Handel composed his oratorio Judas Maccabaeus. First performed at the Royal Opera House in London on 1 April 1747, it celebrated the Duke of Cumberland’s victory over the Jacobites.

Children were also taught about the battle. In Culloden Visitor Centre we have a sampler on display that was made in 1747 by an 11-year-old girl, showing a Jacobite being stabbed by a government soldier. By the 19th century, Jacobites and Highlanders were being portrayed as heroes, helped by popular author Sir Walter Scott in his novels Waverley (1814), Rob Roy (1817) and Redgauntlet (1824). It was during this period that there was a move to build a memorial on the battlefield.

The first memorial (a tower) was built in the 1820s, to the west of the battlefield, by Lachlan Mackintosh. Later, a memorial at the graves site itself was called for. In 1881, Duncan Forbes, the landowner of the moor, built the cairn and markers you see today.

The Jacobite Risings were international conflicts that had enormous influence over diplomatic relationships between European powers. However, the clan markers do not represent all the people who died at Culloden. Two nations were left out of the Victorian memorials: Ireland and France. The Irish and French regiments are memorialised by a plaque some distance away, on the other side of the cairns. If you walk towards the blue flag on the Jacobite front line, and from there continue straight at the crossroads, you will find the markers installed in 1994 by the White Cockade Society.

After seeing the Cottage and its history, we walked straight back to the visitor centre’s rooftop viewing platform from where we got good views of the battlefield. Then a brief pitstop before leaving this historic site to reach our next destination. If you visit, make sure you keep atleast half a day clear to be able to enjoy the whole place.








Text and photographs copyright of the author. No part of this article or photographs maybe transmitted or reproduced by any means, electronic, mechanical, photocopying or otherwise, without written permission. Do contact the author on email -- helpthesun@gmail.com