We still had to see Little Petra whose existence we came to know about only when planning our trip. The tour operator insisted that it was a waste of time but seeing as we were there, we insisted on going. So, after lunch and a brief rest, off we went to see yet another archaeological site (don’t forget that by now we had already toured most of the important sights of Egypt for the previous 13 days; Amman for 2 days, Madaba and Nebo the previous day before coming to Petra). To say that by now I had a surfeit would be pretty accurate. Anyway, Little Petra it was.
Little Petra is arid, mountainous and basically a desert area about 1,000 metres above sea level. On its east the Arabian Desert, in the west the rugged terrain descends into the Jordan Rift Valley. There are areas around the Dead Sea as low as 400 metres below sea level. We climbed up from our hotel and came onto the local road that leaves Wadi Musa and then goes around the edge of the mountains around Petra itself through a Bedouin village named Umm Sayhoun. Then you see a short road leading to the small unpaved parking lot for Little Petra.
When we arrived mid afternoon, there were around six cars, two mini buses and a few donkeys. I was the leader and sole member of the expeditionary force to see Little Petra as the others had bowed out due to the driver’s disparaging remarks about the site. In hind sight, I agree with him. But still, being there meant it had to be seen.

Little Petra was excavated in the later 20th century by Diana Kirkbride and Brian Byrd”.
| The Painted Biclinium is a rock-cut biclinium or dining room |
“This biclinium, in one of the caves
was discovered to have surviving interior art depicting grapes, vines and putti in great detail with a
varied palette,
probably in homage to the Greek god Dionysus and the
consumption of wine. The 2,000-year-old ceiling frescoes in
the Hellenistic style
have since been restored.
While they are not only the only known example of interior Nabataean figurative painting in situ, they are
a very rare large-scale example of Hellenistic painting, considered superior
even to similar later Roman paintings at Herculaneum".
I walked down a narrow path and came
to a series of large cave like openings. The first large building I saw on the
left was what was called the Dining room and across were some more. In fact, in
one of them, an entrepreneur had created a small tea stall with a bench and few
removable rugs! There was nothing to
see.... I saw a small group of tourists up above me looking into a large cavern
but I did not feel like climbing a few more steps. So I walked right to the end
and back to the car park.
“For the remainder of the millennium,
and much of the next, Little Petra remained unknown to all but the Bedouin nomads
who sometimes camped in it or its vicinity. Europeans, who could not visit the
Arab world under Islamic rule,
heard about Petra but were unsure of its existence. When Swiss traveller Jacob Burckhardt became
the first Western visitor to Petra since Roman times in 1812, he did not
venture to its north, or did not write about it. Later Western visitors to the
region likewise seem to have concentrated on the main Petra site. Only in
the late 1950’s did British archaeologist Diana Kirkbride supplement
her excavations at Petra itself with digs in the Beidha area, which included
Little Petra, not described as a separate site at the time. Those digs
continued until 1983, two years before UNESCO inscribed
the Petra area, including Beidha and Little Petra, as a World
Heritage Site”.
The road out was
interesting as we passed many cave dwellings now unoccupied
The last two photographs
show Petra town from the heights above. One can see the whole main site as well
as other parts. Read the captions carefully.
| A huge stone on the way back. Was it called The Elephant's Trunk? |
Any text in quote marks is from Wikipedia as the author felt the
facts are well represented directly. Thank you Wikipedia.
Text and photographs copyright of the author. No part of this article or photographs maybe transmitted or reproduced by any means, electronic, mechanical, photocopying or otherwise, without written permission. Do contact the author on email -- helpthesun@gmail.com





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Text and photographs are copyright of the author. No part of any article or photographs maybe transmitted or reproduced by any means, electronic, mechanical, photocopying or otherwise, without written permission. Do contact the author on email -- helpthesun@gmail.com